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Rethinking Johann Pachelbel’s Canon in D Major
It’s possible to see the ultimate wedding piece as a template for, and model of,
group improvisation.
Technique, advice, and tips.

It’s possible to see the ultimate wedding piece as a template for, and model of,
group improvisation.

The work is often considered Beethoven’s most daunting and exalted creation—raw, visionary, and striving toward transcendence.

A century after its release, its challenge remains absolute: Every generation’s aspiring cello virtuosos must learn how to speak Kodály.

Defined as any finger placement exceeding the normal framework of the left hand, extensions are a rarely mastered but essential building block of technique.
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A rare work that fits equally well on more than one instrument, the Sonata has been embraced by violists, cellists, and orchestras alike.

Searching for an approach to assist students with motivation issues? Perhaps the following insights will help.

Body mapping is a method that uses anatomical understanding to help musicians develop an accurate mental map of their body’s structure and movement.

Performing the Sonata requires a very 21st-century synchronized combination of precision, speed, and absolute fidelity to the score.
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Here are some tips for any string player considering jumping into the world of local music.

Are you one of the many people who wants to improve your skill at devising good cello fingerings quickly? Try your hand at these four short excerpts!

Lauren Spaulding and Aria Cheregosha are on a mission: to expand the viola’s voice by commissioning groundbreaking works from today’s most exciting and diverse composers.

The first step to fixing bad intonation on the violin? Admitting it’s a problem.
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The Soviet composer was denounced early on for her “irresponsible attitude to the principles of socialist realism”—a comment she took as a badge of honor.

Even a little work on unisons can yield significant benefits.

Violinist Kip Jones’ arrangement of the legendary bassist’s composition highlights the intersection between the blues, gospel, and mid-1940s cool that makes the piece so special.
When encountering thumb position, it is natural to find the lack of pitch control and general awkwardness of the technique frustrating. Steady on. The only way is through, not around.
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Practicing double-stop sevenths affords several physical benefits to left-hand technique, facilitating easier playing of other intervals, including octaves, thirds, and fingered octaves.

Ultimately, success seems to come from a combination of diligent preparation, openness to learning, and the ability to apply feedback effectively.

Attempts to influence the classical music awards-voting community have intensified over the years, but just how effective are such efforts?

These simple exercises focus on spiccato, a bow stroke that involves a controlled bounce at various speeds using arm, wrist, and finger motion.
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The piece is rich with idiomatic violin techniques, like open strings and double- and triple-stops, that evoke the spirit of fiddle music.

Projecting a positive outcome can invite renewed mental focus, a heightened sense of well-being, and greater self-confidence.

Dynamic intonation is a way of playing in which fingers don’t just land about where they should to play in tune, but instead are trying to fit accurately into a harmonic landscape

"I think that Consolidation has a clear compositional intent that really comes out in the piece. The melody is pensive, and I really connect to it personally."
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