
Rozanna’s Violins Encourage a Player’s Imagination
Weinberger’s instruments shimmer in every hue, with decorative themes as diverse as her clientele.

Weinberger’s instruments shimmer in every hue, with decorative themes as diverse as her clientele.
Skeen’s breadth of experience comes through in his dialogue-like approach to voicing and articulation.

Although he was likely not the very first bass soloist, Dragonetti is widely known as the first bass soloist in the class of musician one would call “virtuoso.”

Rogers has been at the vanguard of the modern bluegrass movement, blending traditional bluegrass, country, soul, and gospel music.
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That composer is Louis Spohr (1784–1859)

For years, Papach, principal violist of the Saint Paul Chamber Orchestra, believed her viola was an Annibale Fagnola copy of a Giuseppe Rocca.

Even a little work on unisons can yield significant benefits.

In the 19th century, it took rare determination for a woman to attempt a career as a cellist. No one could’ve been more determined than Cristiani.
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The quartet’s new release is packed with surprises. Here, the ensemble discusses the record and their newly launched foursome.

The violinist’s new recording with Daniel Harding and the Orchestre de la Suisse Romande shines with bold, projecting tone and a forthright sense of phrasing.

The cellist, best known as the singing, beatboxing member of the phenomenal a cappella ensemble Pentatonix, tells the story behind his first full solo album, ‘Dawn of a Misfit.’

The Hungarian-British violinists Jelly d’Arányi and Adila Fachiri represent a crucial link in the history of violin performance.
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The two-step customizable rosin is made to get the most out of the company's strings, intended to support “focus, attack, and brilliance” while adding a dash of color

Enescu, for all his considerable gifts, has been a stubbornly neglected figure.

The Grammy-winning trumpeter and composer's latest work—a blend of blues, gospel, jazz, and symphonic music—is a historical, social, and cultural powerhouse.

Perhaps no modern string quartet has tapped such a varied slate of collaborators.
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In this interview, the 29-year-old Porter discusses her career, her philosophy of life, and her striking new recording.

1963 saw the formation of the first integrated string quartet in the South, performing in white, Black, and newly integrated schools across Nashville during a pivotal time in the city’s history.

Sir Donald Francis Tovey (1875–1940) raised the program note to a literary genre when he used them to provide audiences with the means of hearing music through his unique and perceptive lens.

The evolution of the violin’s E string, from its fragile gut origins to the durable steel strings of today, mirrors the progression of violin making itself.
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The music on this double-disc is dark, sometimes sublime, often intense, and at times downright uncomfortable.

Composer Anna Thorvaldsdottir and cellist Johannes Moser discuss the creation of ‘Before we fall’—the first concerto Thorvaldsdottir has written.

Violinist Kip Jones’ arrangement of the legendary bassist’s composition highlights the intersection between the blues, gospel, and mid-1940s cool that makes the piece so special.

The French violinist is willing to bet you haven’t heard most of the music—or even the names of some of its composers—that you’ll find on this album.