By Robert Battey The German publishing house Bärenreiter has, for many years, set the gold standard for forensic musicology, their editions always featuring the most rigorous research and scholarship. This is particularly true in the works of J.S. Bach, as Bärenreiter has assumed joint control of the Neue Bach-Ausgabe in Leipzig, the recognized “final word” … Continue reading Compare the Five Earliest Copies of the Bach Cello Suites at a Glance in Bärenreiter’s New Edition