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Extend Yourself: How to Practice Extensions, a Notoriously Tricky Technique
Defined as any finger placement exceeding the normal framework of the left hand, extensions are a rarely mastered but essential building block of technique.

Defined as any finger placement exceeding the normal framework of the left hand, extensions are a rarely mastered but essential building block of technique.

Are you one of the many people who wants to improve your skill at devising good cello fingerings quickly? Try your hand at these four short excerpts!

The first step to fixing bad intonation on the violin? Admitting it’s a problem.

Even a little work on unisons can yield significant benefits.
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When encountering thumb position, it is natural to find the lack of pitch control and general awkwardness of the technique frustrating. Steady on. The only way is through, not around.

Practicing double-stop sevenths affords several physical benefits to left-hand technique, facilitating easier playing of other intervals, including octaves, thirds, and fingered octaves.

These simple exercises focus on spiccato, a bow stroke that involves a controlled bounce at various speeds using arm, wrist, and finger motion.

Projecting a positive outcome can invite renewed mental focus, a heightened sense of well-being, and greater self-confidence.
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Dynamic intonation is a way of playing in which fingers don’t just land about where they should to play in tune, but instead are trying to fit accurately into a harmonic landscape

By understanding how they are produced and following a few guidelines, string players can master this expressive technique

Starting from the string (SOS, or grounding one’s overall technique by focusing on the moment the bow first touches the string) is a critical tool in making playing both better and easier.

When learning new repertoire, music students usually dive in from the first measure and build bar to bar; this sometimes may go counter to the intent of the composer and the piece.
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By Laurie Niles | From the November-December 2020 issue of Strings magazine Flashy bow strokes, such as spiccato, sautillé, staccato, and ricochet, get a lot of attention, as they allow the player to bounce the bow, fire off a barrage…

“Bariolage” is a French word for a bowing technique that involves rapid changing of strings, often between open strings and “stopped” strings—that is, strings with the fingers down.

Martelé bowing is remarkably useful as a teaching tool, specifically for bow-hand strength & balance, & for development of accurate direction in the bow arm.

Fixing one failure can raise your entire level of musicianship, especially when you apply the solutions to similar difficulties moving forward. Here’s how to do it.
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We don't encounter them very often, but still there are great potential benefits to working on double-stops in seconds on violin.

While tenths show up in virtuoso repertoire (like Paganini, Wieniawski, etc.), they are more fundamentally important as a way to improve left-hand technique.

Appoggiaturas are so powerful in terms of emotional content because they create an influence on harmony as well as melody.

To play in tune, one must work on the ability to hear pitch clearly and physically produce the note in a consistent way. Here are some tips on playing in tune.
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One of the most common problems encountered by string players in virtuoso pieces is the coordination between the bow strokes and the left-hand fingers in fast running-note passages
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