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The SteelDrivers’ Fiddle Stalwart Tammy Rogers Sings the Praises of Modern Bluegrass
Rogers has been at the vanguard of the modern bluegrass movement, blending traditional bluegrass, country, soul, and gospel music.

Rogers has been at the vanguard of the modern bluegrass movement, blending traditional bluegrass, country, soul, and gospel music.

Perhaps no modern string quartet has tapped such a varied slate of collaborators.

Sir Donald Francis Tovey (1875–1940) raised the program note to a literary genre when he used them to provide audiences with the means of hearing music through his unique and perceptive lens.

Composer Anna Thorvaldsdottir and cellist Johannes Moser discuss the creation of ‘Before we fall’—the first concerto Thorvaldsdottir has written.
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This was probably the finest 20th-century collection of instruments owned by a single individual.

To mark the first 25 years of this century, here are 15 new string pieces that proved especially significant and impactful (plus a few honorable mentions).

The French violinist is willing to bet you haven’t heard most of the music—or even the names of some of its composers—that you’ll find on this album.

Nine tracks for cello and electronics, ‘Peter Gregson’ (Decca) is distinctly contemporary.
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Until recently, few knew that Hartford, largely known as a banjo player and country-pop composer, had a nearly obsessive devotion to the fiddle.

Among the benefits bestowed upon awardees of the coveted MacArthur Fellowship is the unrestricted ability to follow their creative impulses into uncharted realms.

With his second album, 'Hymns of Bantu', Selaocoe evokes a sense of shared experience, reverence, and storytelling through music.
In recording her new album, the violinist’s commitment to authenticity was pushed to new levels when she decided to play the sonatas as Corelli himself would have done.
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An open-mindedness to possibility has served the Oxford-based Kearns well over the decades.

Any discussion of the ensemble’s new album really has to start in the late ’90s, when this trio initially came together.

The contemporary ensemble's latest release celebrates the experimental composer’s complete string quartets.

Over the last 15 years, what has been called a third wave of historical performance practice (HPP) ensembles has emerged, bringing a retooled set of priorities.
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While the composers of the majority of golden-age soundtracks were virtually all men, the performers included a pioneering group of women in the principal violin, viola, and cello roles.

The MIM’s new exhibition is an exceptional medley of 70-plus European instruments and bows made during the 16th to 19th centuries.

Ralph Farris, Dorothy Lawson, Kip Jones, and Corin Lee discuss the importance of community, connection, and collaboration—and coffee—as sustaining forces in their quartet's longevity.

The three musicians discuss how their shared love of the Mendelssohn Piano Trios and common goals help to nourish their musical friendship.
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