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5 Minutes with the Balourdet Quartet
At a time when many string quartet residencies are tied to universities or short-term engagements, the Balourdet Quartet has been part of a different kind of experiment in Seattle.

At a time when many string quartet residencies are tied to universities or short-term engagements, the Balourdet Quartet has been part of a different kind of experiment in Seattle.

The cellist-composer talks about his work translating brushstrokes into sound, composing for a museum gallery rather than a concert hall.

Data shows that orchestras are continuing to outperform the wider performing arts sector and attract new ticket buyers, especially among millennials.

The double bassist describes his latest venture as an incubator where musicians and composers can experiment, collaborate, and build projects of varying size and scope.
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North American orchestras are entering a moment when leadership changes, artistic identity, and civic purpose intersect in consequential ways.

The concerto is no longer merely a test of virtuosity. It is a stage for collaboration, a reflection of our time, and a laboratory for works that may still be played 100 years from now.

At a time when public school music education is increasingly under threat adult-focused community-based efforts by orchestras have become more than enrichment.

Poulenc’s great Violin Sonata is at the center of Mo’s debut album, ‘Métamorphoses,’ and serves as the anchor for an exploration of transformation.
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Three leading conductors who specialize in 18th-century repertoire describe how the craft of playing counts for more than rigid historical orthodoxy.

Silver discusses her new role as Lincoln Center's president and CEO and reveals the inspiration behind the planned $335 million redesign of Damrosch Park.

It's been nearly 40 years since Fraser founded the San Francisco Scottish Fiddlers, a group of enthusiasts that's grown to over 300 people.

The cellist, best known as the singing, beatboxing member of the phenomenal a cappella ensemble Pentatonix, tells the story behind his first full solo album, ‘Dawn of a Misfit.’
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A recent phenomenon in classical music is the evolution of performer-entertainers who must balance artistic integrity with public engagement.

The SF Bay Area group features some of the best and (arguably) weirdest classical musicians playing instrumental versions of the greatest rock songs ever written.

A steadily increasing number of artists and ensembles, through album releases and concert series, are exploring the concept of America and what it represents.

Serving as music director for the San Diego Symphony and the Orchestre Symphonique de Montréal, Payare has emerged as one of classical music’s most dynamic leaders.
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On both sides of the Atlantic, music festivals are innovating to meet changing audience demands.

Nakazawa chats about the ensemble, its new album, and its mission to honor the indigenous culture of Hawaii.
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