By Sasha Margolis | From the March/April 2020 issue of Strings Magazine These two new releases offer radically distinct visions of Bach’s unaccompanied violin music. Drawing upon differing strands of historical performance practice, they also provide contrasting ideas about the role of the artist’s personality in this music. The differences begin with equipment. Tomás Cotik … Continue reading Bach Two Ways: Recent violin recordings of the Sonatas and Partitas reveal striking interpretive differences