How to sound like your favorite player or find your own voice
By Mimi Rabson
What is it about your favorite players that makes them your favorites? Is it... Read More...
Learn the necessary preparation and bow control through these musical exercises
By Mimi Rabson
Double-stops can sound great when they are played correctl... Read More...
How can you decide what distinguishes a good fingering from a bad one, and what criteria can you use to figure out the best possible fingering solution?
Relaxation and flexibility promote good technique and injury-free playing
By Joel Becktell
I often give students a little quiz. It’s simple, yet what it reve... Read More...
What exactly is good posture and how can players know when they are practicing it?
By Janet Horvath How one looks, feels, and sounds is inextricably linke... Read More...
Want to play great, beautiful music, but without the daily drudgery of practicing? Manage your time effectively and creatively to make woodshedding fun!
The cello challenge
By Marcelo Sanchez
In the past, such cellists as Jean-Louis Duport, Friedrich Gruetzmacher, and David Popper wrote études that have s... Read More...
Sources and references for cello and chamber-music repertoire
By Jeffrey Solow
In my two-part article "Cellists’ Choice" (In Print, December 1999 and Jan... Read More...