Every violin f-hole looks like its twin, and they all look the same. But this is not the case with classical makers, especially the Italians of the Golden Period.
We spoke with eight string players from various camps or schools of study about challenges and what keeps them coming back to the practice room for more.
Awareness of the bow arm is key to improving tone and technique—and it all begins with the bow hold. Here's how to develop structure and flexibility in your bow hold.
Many advancing violinists, violists, cellists, and bassists have a fear of playing in the registers beyond the neck position. Here are 3 keys to conquering those upper-position anxieties.