By Dan Guyton | From the January/February 2020 issue of Strings Magazine Wearing a black suit, starched white shirt, and purple tie, I was sitting upright, ... Read More...
By Miranda Wilson | From the January/February 2020 issue of Strings Magazine Unlike the piano trio, where three talented individuals can come together convi... Read More...
By Laurence Vittes | From the January/February 2020 issue of Strings Magazine When the Takács Quartet announced that Richard O’Neill would replace Geraldine... Read More...
From the January/February 2020 issue of Strings Magazine We asked luthier Alex Louis Reza which historical maker’s work is closest to his heart and why. Her... Read More...
Practicing slowly gives string players the needed time for their brains to compute the actions required for successful technique as well as musicality.
By Rebecca Fischer | From the January/February 2020 issue of Strings Magazine Pulling is an action I associate with the creation and recall of art. I pull t... Read More...
By Thomas May | From the November-December 2019 issue of Strings magazine When the Miró Quartet started out in October 1995, a prediction that it would be t... Read More...
By Laurence Vittes On a summer night in early August, Laura Kukkonen performed the first violin solo in the first movement of Bach’s Double Violin Concerto ... Read More...
By Stephanie Powell In an effort to save and reuse raw materials, like the silver that’s often found in violin strings, Warchal has launched Phoenix, a new ... Read More...