The Hills’ Hidden History: Untangling the Surprising Tale of London’s Famous Fiddlemakers
Few firms in the fiddle world have been so distinguished as W. E. Hill and Sons
Bill Evans
The California Festival’s Celebration of New Music is a Tale of Three Maestros
Collaboration between more than 90 institutions includes support from the Los Angeles, San Francisco, and San Diego symphonies
Review: ‘David Jaeger: Chamber Works for Viola’ Showcases Carol Gimbel’s Poetic Nature
Jaeger dazzles in his 'Three Songs,' a work that sets Gimbel’s poetry to music for mezzo soprano, viola, and piano.
Why Are Cellists So Often Involved in Political Causes?
The seated cellist who plants an endpin in a rubble-strewn street carries a gravitas that a nimbler instrumentalist may lack.
Review: Cellist Erik Friedlander’s ‘She Sees’ is Dark, Visionary, and Genre Bending
This album marks the second collection from the legendary cellist’s garage jazz rock consortium Sentinel
Joshua Bell Commissions an Homage to the Elements
During the Covid lockdown, Bell started thinking about nature and decided to commission a new suite
The Enduring Strength of Shinichi Suzuki’s Legacy
Suzuki’s vision seems more resonant than ever in this era of intensifying polarization
Chamber Music Camps and Academies Develop Artists’ Skills and Careers
Each program is a profoundly collaborative experience that reflects the vision and personality of its director
Classical Comedians Who Dare to Tickle the Funny Bone
Social media and YouTube have helped to gently deflate classical humor's pretensions
The Telegraph Quartet Shoots for the Moon With an Unlikely Musical Pairing
Divergent Paths features two works that have never been recorded on the same album before: Ravel’s String Quartet in F major and Schoenberg’s String Quartet No. 1 in D minor, Op. 7.
