By Rebecca Fischer | From the March/April 2020 issue of Strings Magazine My mother told me as a child that if I turned on the radio and heard music that could immediately be sung, it was probably Mozart. Mozart’s lyricism is unmistakable. His works scored for any instrument can be reimagined as an operatic scene. … Continue reading Bel canto: Approaching the operatic, unpredictable voice of Missy Mazzoli on violin